There is no need to convert it first.
The preview updates on your chosen size and edge design.
A good monochrome canvas has true blacks and clean whites. If the preview looks flat, choose a photo with stronger light and shadow, or adjust the contrast on your phone before uploading.
The black edge design gives a monochrome canvas a solid, painting-like side; the white edge lightens it; mirrored keeps the whole photo on the front.
| Format | Sizes | From |
|---|---|---|
| Square | 20×20, 40×40, 60×60, 80×80 cm | £6.50 |
| Landscape / portrait | 30×20, 40×30, 60×40, 75×50, 80×60, 90×60, 100×75, 120×80 cm | £10 |
| Panoramic | 60×30, 80×40, 100×50, 120×60 cm | £23 |
All 16 formats in colour, with the full size and price table.
The wide formats, with edge-design guidance for a horizon.
The same monochrome idea behind glass, with a white bevel-cut mount.
Without colour, tone is all that separates one part of the image from another. A photo with true blacks and clean whites prints with depth; a flat grey conversion looks muddy at any size.
Strong shapes, hard light and clear silhouettes survive the conversion. Subtle colour relationships do not — they collapse into similar greys.
A colour photo has to agree with the room. A monochrome canvas does not, which is why it can move rooms, survive a repaint and still look deliberate.
On a gallery wall, a single colour canvas surrounded by monochrome ones reads as the focal point without any other arrangement being needed.